Draco Malfoy would totes get it. I don't care what insults and accusations that assertion earns me, I'm not ashamed to admit it. He's hot. And whilst his sneering and pouting in his school uniform is enough to fuel the masturbatory fantasies of slashers the world over, for many it's even more appealing to imagine Draco getting hot and heavy with his heroic archenemy, Harry Potter.
Some might call me sick, others might rationalise it with the argument that for the millions of predominantly female slash fiction writers, making teenage boys gay it off to satisfy your own twisted desires is simply a way of subverting the age-old straight male role of fantasising about lesbian teenage schoolgirls. And there's an element of power and control to it too; being a sexual puppeteer can be intoxicating, especially when it's only on the page or computer screen, because it's a safe format without any of the real-life mental or physical consequence (with the possible exception of chafing) of dabbling in all sorts of perversions and sexual taboos. Especially when you're taking control of canonised characters, since you're reasserting your authority as a reader over the characters you've come to know, and vocalising a facet of their personality, their libido, which their creator and author has likely ignored. And let's not ignore the appeal of virginal innocence and its inevitable sexual corruption.
But whilst these theories might all be true to an extent, there's also an argument that the simple explanation for so many thousands of hitherto unconnected slashers coming (pun intended) to the same conclusion about Harry and Draco is that it just seems to make sense. First of all, let's consider the context. British boarding schools are hotbeds for homoeroticism and sexual tension. This might sound trite, but please don't scoff just yet. Whilst we didn't board there, I did go to an all-girls' school, and can testify from experience there was indeed same-sex curiosity and experimentation in the changing rooms and at sleepovers. Call me clichéd if you must, dismiss my claims as stereotypical wankfodder for adolescent boys with throbbing, tumescent erections and fevered yet unoriginal imaginations, but these things do happen.
From Enid Blyton's Malory Towers and St. Clare's series to St. Trinian's, Billy Bunter and even The Worst Witch, whether conscious or not, fiction set in schools usually has some kind of homoerotic subtext. And really, what else would you expect from any novel in which hundreds of hormonally-insane teenagers are cooped up together with only their biological urges and each other for entertainment?
And therein lies the beauty of the traditional boarding school stories, described by the marvellous Michael Baywater in his directory Lost Words, as "staples of childhood pulp literature throughout the twentieth century." Adored and devoured by far more readers than could have experienced first-hand the reality of being at boarding school, the stories were essentially fantasies, in which children could escape from authoritative overlords, their parents, whilst still having the routine and authority figures required to prevent all-out anarchy being unleashed. "Gothic public schools with arcane rituals; midnight feasts, crushes, pashes, hero-worship, bullying, snobbery, and above all, no parents in sight. This was the diet, and it nourished children from all backgrounds, whether they attended Gothic public schools or the local Bash Street comprehensive. And then suddenly, the tap was turned off."
School stories fell out of fashion, interest waned from authors and readers alike and the 'young adult' genre blossomed to become essential teenage reading, with its blend of romanticism and realism, and graphic renditions of adolescent sexual inadequacies and insecurities. "But," says Michael Baywater, "the hunger grew until someone, finally, found a magical way round the unspoken ban...For what is Harry Potter but another schoolboy in another school story; perhaps at a school more explicitly magical than most, but still a school nevertheless. And now we are back where we always wanted to be: in a Manichean world, free from invasive parents, where good and evil are clear, where loyalties are pre-defined and the outside world is held at bay... at least for the time being."
Although it's only been hinted at in the previous books and films, in the most recent instalment of the HP blockbusters, Harry Potter and the Half-Blood Prince, director David Yates effectively "captured the sexual tension that must throb through any co-ed castle." (According to Gawker, at least). Wizards smooched witches around every corridor corner, the classrooms were bursting at the seams with blustering macho bravado, awkward glances, and swooning, giggling girls, and there were jealous rivalries erupting everywhere at the tip of a conical hat.
You can practically smell the pheromones, not to mention that distinct stink of sweat, lust and fear. They might not have access to the traditional joys and distresses of underage boozing, amphetamines and sticky fumbles in grotty nightclubs frequented predominantly by school kids, pillheads and sex pests, but like adolescents all over the world, the HP characters are still doing their best to get in each other knickers.
Except. Every last one of the hetero relationships in the latest film are cringe-inducingly awkward, with no chemistry whatsoever. In comparison, the scenes between Harry/Ron or Harry/Draco in both the books and the films have much more authenticity to them. Whilst the opposite sex might remain a mystery, whether it's an obsessive crush on your best friend or your worst enemy, you know what you're getting with your own gender. Even if you have to keep these thoughts repressed, with your only outlet furtive looks across a crowded classroom and secret midnight dormitory wankathons.
(As a slightly tenuous aside, I'm not giving credence to JKR's announcement about Albus Dumbledore's supposed homosexuality; a pathetic, tokenistic claim made with the clumsy and manipulative intention of side-stepping the accusations of homophobia levied at Lady JK when she reacted rather sniffily to the proliferation of slash fiction based on the HP canon. If she'd always known Dumbledore was queer, why wait until so late in the series to make it common knowledge? Until that announcement, fans had speculated about every other possible coupling, but not once in all their fevered fantasies about freaky werewolf sex between Remus and Sirius, or Fred and George-themed twincest, had Dumbledore's latent – and according to JKR, blatantly obvious - homosexuality ever been mentioned. And if the slashers (who will read throbbing homoeroticism into almost any scene with only the subtlest hints and cryptic codes to nudge them in that direction) didn't see it, then I'd speculate that this is frantic back-pedalling from a publishing franchise who've only just recognised the importance of keeping that audience happy.)
The Harry Potter series has sold more copies, and been translated into more languages than any other book, with the sole exception of the Bible. And the Harry/Dracco shippers of the HP slash fiction community make up one of the internet's most popular fandoms. As an example, the epic, novel-length opus, Starts with a Spin, by Maxine Chan, has almost 130,000 words, has been read online more than 80,000 times, and has even been painstakingly translated by fans into a handful of other languages.
Harry and Draco hate each other's guts, so much so that they're obsessed by each other. The hatefuck has a lot to answer for in contemporary culture. And with so much of the online Harry/Draco slash fiction, that's where it starts. Violence and sex is a difficult and damaging combination (both physically and mentally), but it also has its attractions, because it has the handy advantage of absolving the submissive participant of any responsibility and the accompanying guilt.
Harry and Draco are playing the same role, just from separate sides of the battlefield. With the pressure on both of them mounting in the latest cinematic instalment, the pair are bottling up some intense resentment and other powerful emotions. Maybe a mutual fuck-fest would let them unleash some of that pent-up aggression and frustration without (as long as copious amounts of lubricant were used) causing any permanent damage. And through so doing, if the two of them were to find that they could each by other's answer to those needs, couldn't that then lead to an eventual acceptance, intimacy and even affection for each other? Enter millions of slashers all over the world who certainly think so. Faced with that kind of erotic evidence, I'm not one to disagree.
http://gawker.com/5317280/the-homosexual-undertones-of-the-half+blood-prince
http://archive.skyehawke.com/story.php?no=5601
http://en.wikipedia.org/wiki/Politics_of_Harry_Potter
Jane Bradley
Hove Museum and Art Gallery
1 week ago


